It's been the experience of some.
Jump to defend and be the first proven wrong.
There's real "pinch" in sword clashing.
There's also a wild ride in the creativity of showmanship.
There is sometimes utter disappointment when someone cannot un-be themselves.
And while most people have lived through life and death situation, not all have fought. Not all have walked away. Not all have struggled through not doing that again. Not all can see, maybe the bar should be raised.
As a writing-type I can understand well that there are challenges in narrative and "the show" that seem like bleak days in prison where not much really happens; or some character is dead, (i)now what?(i); or how in the world does an author get readers from point x to points elsewhere in the alphabet?!
But I can also understand how real men and women are not just pins in a map, not just stickers in a sports or political book.
I think that sometimes in the nation stories of the whole big history-in-the-making there are leaps made just to keep the story going until tomorrow. Some people, for example, don't have the capacity or platform to get all thesis about strategy or deep explanation, so they point out highlights or insert bullets of text and talking points. A recent foreign election--(i)first time since the nazis!(i)
Oh, the images conjured by the reference. Oh, the deep feelings of revulsion for all of humanity. For being human. For having to vote. For voting whether or not we want hate to rule the day. Such talking points serve to make people stop listening. But there's a bit of breath held in that much defending or allowing/permission some not-me humans that much power over weapons and communications.
Fish on hooks sometimes with media.
And preference to understand the real people even as we are swept along in ethereal currents of political proportion.
Writers often rip and crumple, stomp on and hide pages of writing. Then sneak back and re-consider, or, burn/delete, or put away chunks of idea made manifest in text and script.
Politics and media have similar processes.
Masses of people engaged in the same movements produce.
"I am asking you to think about what you are doing right now!!" An on-the-way to being an academic-in-action woman finally unbunged her theoretic brain and just said it. (i)Critical thinking(i) defined.
"That's what you meant? By all this?" A rolling suitcase of research and think and writing/talk (i)about(i) had been piled on a desk. The desk held up. Someone gasped at the emperor with no clothing. There was a palpable release of emotion attached to and associated with that much scholarship being performed so....(i)simply(i).