"But no. First one and then the other."
The two people not tied up with silk scarves picked up various tools covered in dried blood. A pile of teeth on a steel table prompted one in a Tyvek suit to comment, We'll know who was taken this time.
The day had not started out this way. Some travel bans had been lifted, some people braved sleet and snow to carry on. Editors pursed lips together and caved without caving to the more economic-minded. An editor who'd been a "combat correspondent" (back before debates about "embedding") had holler-hushed through painful coversation after painful conversation regarding do you know what this is going to do to me...to my family. He'd locked himself in a broom closet at one point so as to not be findable.
"We can't."
"Can't what?"
"Can't bury it." Truths so terrible and tangled up in International Affairs pieces of paper with ink on them would only endanger more general population. Other editors slid pieces of the stuff, paper, with lists of vanished and still not heard from, unknown location, and using vacation time under the broom closet door.
Feet propped on desks and sweaty armpits drenching clothing. Food in sacks untouched.
That can't be that. But look at these.
Military photographs and maps.
"How'd you get in here?" A publisher demanded to know.
"Oh, there you are and there they are," a nervous assistant followed the publisher to the desk and neatly planted a datebook there. Pens from a suitcoat pocket offered but declined by way of being shown a breast pocket of those lined up like soldiers.
She'd said it so many times she finally wrote it in block lettering on a big index card which somebody glued to a tongue depressor. The little cafè table had become an impromptu fact airing on the fly get-lost launch. "Worst!?"
"Let's not go there sister."
An eyeroll. Really fast mention of having seen or been to and censorship bracket. A thinking-about-it pause, maybe a hand lingering over both little signs, and a best guess verdict.
That can go in a book but not a newspaper
"At this time," a peddler of newspapers was quick to remind. Magazine people never sit still. And look at those sharks. A cautious glance at people literally acting like sharks. Sort of circling and bullying and pensive then growling teeth at too close to me.
Lockers and lock boxes.
Discarded suitcases and purses.
Thick rolls of contract and tear sheets.
Horses bred for the purpose of starting gate.
Not more than a girl really. Had appeared on the weedy hump between the nothing's moving roads near "le tromphf". Wearing?
"Just a short utility dress."
Tanks lined, poised to anchor a boulevard, stopped.
A grubby postal/mail sack huffed at the girl. "I'm going back now."
Type, type, type.
A long time before a ding.
"They used to call these, this formation, gin palaces," the old man said it with conviction. But then his eyes wandered and took in unfamiliar, modern landscape. "It's a stranded train car. So what?!?" The unfed man came out of the weeds zipping up his pants. "Did you shake honey? I don't need you with that condition again." The man wiped his hands in some oil-spattered dirt. "Just like home," he scoffed. Came up to the people on the tracks from aside them like in a parade. "'Sides, it's like summer today."
"Yeah, wild weather in these times." One woman said. So another asked, "What era are we in now?" A local history tour had gotten driven through by a drunk and some of the people took a dayhike a little farther rural. The old man came to his senses again. "Let's let the weaker ones rest in there while we go on ahead a little bit." A head shove and backhand at the little train car. "Go ahead," a sassy-haired woman told the pisspot. "Why 'gin palace' Uncle Joey?"
All the people but the man with the that's a great idea moved towards the car, still, awkwardly so, parked there. "See this?" Everybody looked down the uncle's hairy, faded tattoo arm to see what he was pointing at. Just took turns, then settled into around to hear a tale.